REMINDER: Today Is ‘Founder’s Day’ with Jeff Sharlet Reading Excerpts from The Undertow

A reminder to ALL Bette members to register for today’s Founder’s Day event with Jeff Sharlet, who will be reading passages from his book, The Undertow, April 14, 4 pm PT

***Registration link for today’s Founder’s Day event with Jeff Sharlet is below the paywall. Due to the ongoing support of Founding Members, I am opening this event up to all levels of membership. Please upgrade to paid to join us.***

One day of rest resulted in a flurry of reporting — I hope you enjoyed the diverse posts from yesterday on Golden Age of Corruption, News Hygiene, Leonard Leo, the criminal networks of Russia and Iran, and why Big Business backing fascism is actually Bad Business. I know it’s a lot, but I was moved to knock a few things off my plate and into the infosphere. Better information is an absolute necessity in this time of mass deception. On that topic, I am so excited to let the Bette gang know that HiFi and I interviewed another playwright today — Dmitri Plax — who wrote and directed the play Navalny: The Trial, currently at the Swedish Royal Theatre. Gobsmacked by his brilliant insights and will deliver them your way asap. Shoutout to our friend and upcoming Happy Hour guest, Dmitrii Kovegin, who helped facilitate the interview.

---

Founder’s Day with Jeff Sharlet! Today, Sunday, 4.14, 4 pm PT

Thanks to the generosity of my Founding Members, I am opening today’s Founder’s Day to ALL PAYING MEMBERS. OG, monthly and annual members who support me above the annual rate have already been upgraded to Founding Member, and I am looking so forward to meeting new members today.

All levels of paid members can access the registration link below the paywall.

I am only able to offer first-year specials because of the generosity of those who have upgraded to Founding Member, and I am paying your generosity forward by opening up this invitation to all levels of support.

Thank you to everyone who supports this work with a membership — you have made it possible for me to open my archives to help counter the onslaught of infinitely funded disinformation.

Without further ado, here are the details:

Jeff Sharlet reads selections from The Undertow

We had a wonderful and inspiring Happy Hour with David Pepper this week, and today we get to hear Jeff Sharlet read from his brilliant book, The Undertow: Scenes from a Slow Moving Civil War.

We’re going to do things differently for this event — we’re just going to listen to Jeff read his words and reflect on how he feels about them in light of all that has transpired since he published his book.

As always, I am so grateful to those of you who support the work of our guests, and if you have not already purchased a copy of The Undertow, please do so here.

More about Jeff:

Jeff Sharlet is the New York Times and national bestselling author of THE FAMILY and C STREET, and executive producer of the 2019 Netflix five-part documentary series based on them, THE FAMILY. His newest book is THE UNDERTOW: Scenes from a Slow Civil War (W.W. Norton, March 2023). His other books include THIS BRILLIANT DARKNESS, SWEET HEAVEN WHEN I DIE, and RADIANT TRUTHS. With Peter Manseau he wrote KILLING THE BUDDHA and edited BELIEVER, BEWARE. Of SWEET HEAVEN WHEN I DIE, The Washington Post writes, "This book belongs in the tradition of long-form, narrative nonfiction best exemplified by Joan Didion, John McPhee [and] Norman Mailer… Sharlet deserves a place alongside such masters.” An article for GQ that became the beginning of THIS BRILLIANT DARKNESS won a National Magazine Award, and excerpts from C STREET were honored with the Molly Ivins Prize, the Thomas Jefferson Award, the Outspoken Award, and the National Lesbian & Gay Journalists Association's prize for feature writing. Barbara Ehrenreich called THE FAMILY "one of the most compelling and brilliantly researched exposes you'll ever read."

Jeff is the Frederick Sessions Beebe '35 Professor in the Art of Writing at Dartmouth College, a contributing editor for Vanity Fair and editor-at-large for VQR. He has been a frequent commentator on MSNBC's "Rachel Maddow Show," "All in With Chris," and NPR's "Fresh Air." He has received grants and fellowships from The MacDowell Colony, the Blue Mountain Center, The Nation Institute, and other organizations. His writing on music has twice been featured in the annual BEST MUSIC WRITING volume.

RadPod’s interview with him is epic.

And here are some key quotes from Jeff from that RadPod interview, which I also wrote as a print report here:

ICYMI: ‘Lucid Dreaming’ - Lessons from Jeff Sharlet, A Brave Poet

Lucid Dreaming…

On why he began the ‘The Undertow” with Harry Belafonte:

His voice was a sweet, beautiful voice, but he understood it as a weapon in a long struggle. I needed him there at the beginning of this book - it's very dark journey through what I call the Trumpocene.

I just couldn't bear to start with the full ugliness. I needed some hope.

But also because the hope that he offers is not cheap grace.

What a lot of people didn't realize is what a profoundly radical man he was all of his 96 years. How essential he was to the freedom struggle in the United States. He would look at the Civil Rights Movement, which he bankrolled, which he played this central part in, and understood that we hadn't won the fight, the struggle.

Mr. B knew that you keep going, and you're gonna get defeated. And then you keep going, and you're gonna get defeated, and you keep going. And that's the hope that we have. 

The Trumpocene

We’re in the Trumpocene. I see three theological movements. The 2016 campaign, that’s the prosperity gospel, the idea that Christianity wants you to get rich, that's what Trump was promising.

2020 - that's a bastardized gospel, a gospel of secrets, QAnon conspiracies.

But then on January 6, 2021, we enter the age of martyrs with the death of Ashli Babbitt, and that centrality of martyrdom, what the Nazis called ‘blood witnesses.’ And that unleashes a whole new level of violence. And we're seeing it in Trump's rhetoric, which has grown actually more violent. And I don't want to diminish how violent it was all along. 

The Broken Fourth Estate

The subtitle of the book is ‘Scenes from a Slow Civil War,’ but it might as well have been called, ‘How to Tell Stories About Fascism.’ As a journalist who's been covering the right for 20 years and has also been a media critic… I am stunned to see how much we get played again, we're doing the horse race again. 

On Radicalized Churches

When you walk into that Church of Glad Tidings, Yuba City, California, you don't see any crosses. They've decided that the cross is weak tea. It's too wimpy. Instead, you have a pulpit made of swords, that this is war time theology, right? 

What's dropping out in these churches is Jesus. They don't talk about Jesus too much. There is a warrior Christ tradition that they can tap into and right now, we see the surge also in a very poisonous masculinity.

On Secession

I’d like to quote Sarah Jones in New York Magazine: “States do not face one another on the battlefield, there is no rebel government. Instead, the battlefield is everywhere. And combatants have, in a sense, already seceded from the United States. That the secession occurred in their minds makes it no less real. They are armed and they are backed by power and money. They have successfully enthralled a major political party and their allies are capturing courts and state legislatures. The other side is still catching up to the danger it's in.”

That’s the slow Civil War we're in.

On Ashli Babbitt

So Ashli Babbitt, 35-year-old white woman from Southern California, Air Force veteran storms the Capitol with violent intentions - she wrote about them. That's her knife on the cover of the book. That's the evidence photo, you can see it dated 1.6.2021.

She climbs up into a window leading a mob through a broken window, they smash the window, she comes up into it.

And we see on the video that very day, the two hands of the Capitol Hill police officer who shoots her, and it is the hands of a black man, and she's a white woman, and as a student of American mythology and American history, I know right away what's going to happen with that story.

And it happened within hours. First, they started saying Ashli - she was 135 pounds, she was in her 20s. Or maybe she was 16, she was just a little white girl. And they start shrinking her - she's 125 pounds, that's not going to work. She's 115 pounds. No, she's 110. They are making her into this model of white innocence.

Now, those not familiar with the history of lynching don't realize that at the heart of lynching throughout American history has been this kind of sexualized panic. This idea that black men are coming for our - possessive, you see - white women - a kind of property.

And that's the story that they began telling.

That's when the book really started to take shape. I said I'm going to follow the formation of this martyr myth. 

Lucid Dreaming and Seesaw ‘Reality’

So at this rally for Ashli Babbitt in Sacramento, speakers describing a series of events have no bearing on what actually happened.

And I say, ‘Such is the seesaw reality of January 6, no cops were hurt’ - more than 150 actually were, five would die. A speaker George Riley claimed that after one battle involving pepper spray and a fire extinguisher, he and his comrades hugged it out with the police. Is this delusion? No. Riley’s smirk bespoke self awareness. Is it that this information is too obvious for his taste? It's more like lucid dreaming.

A deliberately surreal assault. I follow a telegram message one of the Proud Boy organizers sent on January 6, ‘I want to see 1000s of normies burn that city to ash today.’ It wasn't their own crimes that thrilled them. It was the prospect of drawing the many into their boogaloo vision - their Civil War dreams. The city still stands, but in my mind and the imagination of anyone who even now marvels how close we came, how close we still are - it burns.

A fascist aesthetic and a poisoned orchard

To go back to that moment in 2015 in the golden escalator, we knew Trump was bringing down a fascist aesthetic.

I see people saying, ‘If we can just take out the person who's giving the bad information.’ It's a little bit like imagining there's a bad apple here, and if we can just get rid of that bad apple then the orchard is fine. No, the orchard has poison in the dirt, the ground in which it's planted is poisonous. We got to think - we need to build bigger than that.

A little bit fragile

It's a social movement. We think that that's a term that belongs to the Left. It doesn't. Fascism is a social movement.

Now, the good news though, is that means like all social movements, it's a little bit fragile. Right? It seems to have a lot of momentum as a convergence, but social movements tend to crack up when the strange bedfellows cannot abide one another.

What's great news, the impeachment of Ken Paxton in Texas, right? Yeah, when they turn on one another. And remember, for everybody, may it eat its own progeny before it takes over America.

It’s the fascism

At the end of the rally in Sacramento after a brawl between the Proud Boys, they're celebrating - they're posing for a group picture as they do after every fight. And so many liberals like to use fat shaming terms describe these guys. My problem with anybody is not their weight - it's the fascism.

That said, these guys were big. These were scary dudes. And they were all tactical armored up and brass knuckles and everything else. And they kind of turn on me and my notebook, and they're chest bumping me like a certain kind of man will. And I'm rescued from the situation by one of the Proud Boys who's not armored up. He's wearing a Snoopy t-shirt. And earlier, I had said, ‘I like your t-shirt.’ And so he says to his commander, ‘Don't worry, I vetted him.’ He doesn't even know my name. So here's also good news. The astonishing incompetence of these guys.

And then he says, ‘I vetted him twice, actually.’ And I'm like, ‘Hmm, you knew that I liked Snoopy. What else do you know about me? You don't know my name?’ Oh, I'm a white guy. And that's enough.

Nazi Ralph

I talk about a guy up the road named Nazi Ralph. And that's not a figure of speech. I got to know Nazi Ralph when I stopped to ask about his flags - a Confederate flag in Vermont - he’s never been south of Boston.

But he's like, ‘Wasn’t slavery like 500 years ago?’ And suddenly you're in the imagination of this kind of stuff. He is a guy that I'm going to say many Killington skiers who liked to party have had dealings with and did they not notice the swastika tattooed on his hand or the worldwide white power? Surely, of course, they didn't pull up his shirt and show the swastika there.

But they probably noticed that he is always carrying a Glock because he always is. Loaded Glock on his lap while he's talking to me. Because he's clocked me. He says, ‘What are you?’ And I say, ‘I know what he's asking, as well.’ I'm a Jew. And then to get myself out of trouble in a cowardly way, I say, my dad is Jewish. My mother's not.’ He says, ‘I knew it. I talk to you, cuz you’re half white.”

Accuracy matters

People who aren't Nazis love it when you call them Nazis, because they know you got it wrong. They love it because it becomes a recruiting tool for them. ‘Oh, so then they're lying about that. What else is the Left lying about?’ Accuracy matters. If anything, if we're fighting a movement that is based on disinformation, accuracy matters.

The age of the surreal

We are in the age of the surreal.

I tell him: “I've been thinking a lot about a Tom Stoppard quote from Rosencrantz and Guildenstern are Dead. And I've watched that movie probably 30 times. But I continually think about the ending, where the quote is, ‘There must have been a moment - at the beginning - where we could have said no, but somehow we missed it.”

Jeff said: “I would say we are past the moment where we could say no. We've lost a lot, but we’re not doomed. We can't say no, because it's already here. But we can go through it, and we can make something good.”

Jeff reads from ‘The Undertow’:

I'm gonna end with this passage from ‘The Good Fight Is the One You Lose.’ In other words, don't only pick the ones you can win when we're struggling against fascism.

If you have ever wondered what the Left once was, in America, the old Left that organized American labor gave rise to the black revolt that would grow into black power and fought fascists in Spain in 1936. And in Peekskill in 1949…

Listen to Darling Corey as The Weavers sang it in 1955. It's a ghost, a memory even then, but still, it's more thrilling than anything that played on the radio that year. A punk battle hymn for four voices. Pete Seeger tears it open with a single note hit hard over and over, spitting bullets out of his long-necked banjo, usually the happiest-sounding set of strings in the world. But Pete was mad and proud and bitter, playing for the fallen and the falling. Leadbelly, Woody Guthrie, two-thirds gone now, dying of Huntington's disease in Brooklyn, and the Weavers themselves. It was a new sound for Pete, Woody's sound. Not the jokes, but the anger.

The difference between Pete Seeger and Woody Guthrie could be seen on their instruments. In a neat circle bordering his banjo, Pete wrote: ‘This machine surrounds hate and forces it to surrender.’ Across the hips of his guitar, Woody scrawled, ‘This machine kills fascists.’

It’s worth noting that history never ends - as Timothy Synder taught us - it’s worth noting that history connects and repeats, and echoes, and the tides take us back in time - to when Woody Guthrie wrote a song about Old Man Trump, a 1954 folk song about Fred Trump’s racist housing practices and discriminatory rental policies.

I suppose
Old Man Trump knows
Just how much
Racial Hate
He stirred up
In the bloodpot of human hearts
When he drawed
That color line
Here at his Beach Haven family project

If you would like to join us at today’s very special event, please join or upgrade here. I appreciate your support of independent investigative journalism.

Thank you!

REGISTRATION LINK BELOW PAYWALL…

****

Bette Dangerous is a reader-funded magazine. Thank you to all monthly, annual, and founding members. Thank you as well to all those who support my work with your generous coffee tips and who buy my ebooks. Some of you prefer making subsidizing donations via venmo, and it’s always greatly appreciated.

Members access all content and receive invites to our weekly Happy Hour, and our Speakeasy guest events.

Founding Members who support me at the premium level will be invited to our monthly Founder’s Day events — please upgrade to Founding Member if you would like to join us for these special intimate occasions to meet global experts. Our most recent Founder’s Day with war photojournalist was magical. Here is a print recap:

‘Hold Your Nerve’ — A Q & A with War Photojournalist Paul Conroy

Also, a private link to an annual membership discount for older adults, those on fixed incomes or drawing disability, as well as activists and members of the media is available upon request at bettedangerous@gmail.com. 🥹

More info about Bette Dangerous - This magazine is written by Heidi Siegmund Cuda, an Emmy-award winning investigative reporter, author, and veteran music and nightlife columnist. She is the cohost of RADICALIZED Truth Survives, an investigative show about disinformation and is part of the Byline Media team. Thank you for your support of independent investigative journalism.

Begin each day with a grateful heart.

PLEASE REGISTER HERE….